Genre: Drama

All Ace Black Movie Blog reviews are here.
Reviews of Classic and Current Movies



In London, Linda (Anne Hathaway) and Paxton (Chiwetel Ejiofor) are a separated couple but still living together under a Covid-19 lockdown. She is the head of a marketing company's London branch, while he is a poetry-loving delivery van driver, his career prospects truncated by a stint in prison ten years ago.
The pandemic and isolation have pushed Paxton to the brink of suicidal thoughts, while Linda is back to smoking and drinking too much wine, and is forced to furlough many of her staff members. Paxton's boss Malcolm (Ben Kingsley) offers him a chance at redemption plus some extra money, and his surreptitious delivery assignment dovetails with Linda's firm arranging the transfer of a precious jewel from the Harrods department store. Suddenly, the troubled couple can plot an almost victimless heist.
One of the first attempts to weave the pandemic's impacts into a cinematic narrative, Locked Down stumbles early into a needless representation of on-going turbulence. Director Doug Liman and writer Steven Knight never find the justification to recreate on the screen the drudgery of Zoom calls, patchy WiFi, overbearing loneliness, and exasperated honesty, at a time when all the pandemic's unfortunate attributes remain a daily reality.Somehow the movie stretches to 118 minutes, the first two thirds unfolding like a two-person stage show. Linda and Paxton sift through the wreckage of a relationship troubled before Covid and pushed over the edge once the pandemic abruptly forced a reckoning of continuous close-quarters co-habitation. They engage in half-conversations, either honest or truncated, somewhere between arguing and cleansing their souls, and five minutes later, repeat.
The final third drops-in a most half-hearted heist, and Locked Down waves meekly at some thriller elements, never coming close to convincing. By this point Hathaway and Ejiofor are lost in the space between trying too hard and not trying at all, stumped by a lack of direction in both the personal dynamics between Linda and Paxton and the make-it-up-on-the-fly tour of Harrods, disguised as a theft.
Ben Kingsley's small supporting role as Paxton's religious yet unscrupulous boss is a good source of humour, while Stephen Merchant, Mindy Kaling, and Ben Stiller offer mostly Zoomed-in contributions.
Locked Down tries to find comedy, pathos, drama, romance, and thrills in a pandemic context, and not surprisingly, delivers only sad approximations.
All Ace Black Movie Blog reviews are here.
Ex-FBI Agent Ray Kasten (Chiwetel Ejiofor) returns to Los Angeles and reconnects with former colleagues Claire Sloan (Nicole Kidman), now the District Attorney, and Agent Jess Cobb (Julia Roberts). Ray is seeking Claire's permission to pursue a man called Marzin (Joe Cole), a suspect in an unsolved murder with a personal connection to Ray and Jess. Flashbacks reveal events from 13 years prior. In the shadow of the September 11, 2001 terrorist attacks, Ray and Jess are tasked with monitoring a mosque-based cell, where their colleague Agent Siefert (Michael Kelly) is running an informant. Ray is also attracted to Claire, a lawyer newly appointed to the Los Angeles office.
The surveillance operation is disrupted when Jess's daughter Crystal is murdered and suspicion falls on Marzin, a member of the mosque community revealed to be Siefert's snitch. District Attorney Morales (Alfred Molina) prioritizes counter-terrorism ahead of solving the murder, leaving Ray frustrated and Jess disillusioned. Now more than a decade later Ray is back for another attempt at capturing Marzin, and he also rekindles his relationship with Claire.
Secret In Their Eyes has too much going on, and also not enough. Billy Ray directs his own script, and while the ambition to cast a personal quest against seminal events is apparent, this is a muddled story always emphasizing the wrong thing. With a backdrop of history's worst terrorist atrocity and then the murder of an FBI agent's daughter, the stuttering romance between Ray and Claire repeatedly gets in the way. She is a cool, cold and calculating lawyer, he is a scrappy field agent, the chemistry never materializes, but Ray keeps on trying.
Meanwhile Julia Roberts finds herself deglamourized and shoved to a background role. Little is revealed about Jess and less is known about her murdered daughter, leaving an emotional void around the central mystery obsessing Ray for 13 years. Marzin as a generic and ill-defined bad guy adds to the impressive blankness.
The constant time jumps make matters worse. Only minor hairstyle changes help differentiate the scenes in the present from those in the past, and with Ray pursuing Marzin in both timeframes, it is often confusing to keep track. And even the action scenes are a let down. On multiple occasions Ray gets close to Marzin, triggering routine confrontations with the same outcome, investigative work undone by operational ineptitude.
Ejiofor, Kidman and Roberts are never less than watchable, but Secret In Their Eyes is a tractionless waste of talent.
All Ace Black Movie Blog reviews are here.
But The Martian creates its own identity thanks to a smart script by Drew Goddard, firmly grounded in science and steering well clear of any antagonists. There are no melodramatics in The Martian, no evil plots, conspiracies or even hostility on any planet surface. Mars just is what it is, Mark just is where he is, and the story of adaptation and rescue unfolds with simplicity and minimal fuss.