Genre: Supernatural Mystery

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In Los Angeles, narcotics detective Matt Scudder (Jeff Bridges) is involved in yet another shooting. His life disintegrates into the bottle, and he loses his job, house, and family. He eventually joins Alcoholics Anonymous and sobers up. Six months later he is contacted by high-class prostitute Sunny (Alexandra Paul). She works out of the home-based casino run by suave gangster Chance (Randy Brooks), but now seeks protection because she fears Chance wants to harm her.
Matt is unable to help Sunny in time: she is killed and he reverts back to drinking. Chance claims to be uninvolved in the murder, so Matt turns his attention to combustible drug lord Angel Maldonado (Andy Garcia), who frequents the casino and is most enamoured by Sarah (Rosanna Arquette), one of the other prostitutes. Matt teams up with Sarah and tries to lure Angel into a trap, but violence awaits.
Despite ample star power and a glitzy visual style, director Hal Ashby is unable to salvage a troubled production. The script was cobbled together from uncoordinated contributions by the trio of Oliver Stone, R. Lance Hill and an uncredited Robert Towne, collectively botching the adaptation of Lawrence Block's book. Gangsters, drugs, alcoholism, gambling, money laundering, and prostitution are lined up and left exposed in a remarkable display of disassociated filmmaking.
8 Million Ways To Die lands as a limp salute to a noir world where all the men are deeply flawed or knowingly corrupt and all the women are cynical or vacuous sex workers. The collection of ideas never gels into anything more than rivals hissing at each other at close quarters, interrupted by prostitutes undressing in attempts to manipulate or survive.
The writing gaps were apparently papered over by plenty of improvisation, and in several scenes it's apparent Jeff Bridges and Andy Garcia are desperately trading made-up lines just to fill in the blanks. Unsurprisingly, Ashby was fired after principal photography.
The few positives include a sun-drenched, too-hot aesthetic, and a couple of beautiful sets representing Chance's casino and Angel's Gaudi-inspired residence (known as the O'Neill House). The climactic showdown at a massive but empty warehouse is an out-of-control but fun collision of pointed guns and agitated profanities hurled in all directions to obscure the lack of substance.
Bridges and Garcia almost make up for the dross with sheer screen presence, but both Rosanna Arquette and Alexandra Paul flounder in thoughtlessly sketched-in roles. 8 Million Ways To Die is a great title, but unfortunately also a demonstration of demise by dissonance.
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In Los Angeles, a heavily armed gang violently robs a Fortico armoured truck full of cash. The two guards and one civilian are killed. The company, managed by Terry Rossi (Eddie Marsan), beefs up resources and training to try and discourage similar incidents. Experienced guard Patrick "H" Hill (Jason Statham) is one of the new recruits, and veteran Fortico employee Haiden "Bullet" Blaire (Holt McCallany) introduces him to the company's protocols. Another guard, "Boy Sweat" Dave Hancock (Josh Hartnett), resents H's aloof attitude.
H has an investigative agenda and wastes no time imposing his aura and seducing the only female guard Dana (Niamh Algar). He impresses everyone by single-handedly thwarting an attempted heist, then gains legendary status when his sheer presence scares off yet another gang. In flashbacks, his backstory is revealed: he has murky connections to both the underworld and enforcement agencies through the FBI's Agent King (Andy Garcia), and a very personal score to settle. Meanwhile, a gang of ex-military veterans led by Jackson (Jeffrey Donovan) and including the bloodthirsty Jan (Scott Eastwood) plots an audacious job.
Director and co-writer Guy Ritchie re-teams with star Jason Statham to create a high energy yet brooding adaptation of the novel Cash Truck by Nicolas Boukhrief. The four cinematic chapters titled A Dark Spirit, Scorched Earth, Bad Animals, Bad and Lungs, Liver, Spleen, Heart complement Wrath Of Man's titular mood and hint at the playful rage within. The movie rises above stock revenge cliches thanks to high production values, a clever flashback structure, a threatening music score, stylish action scene staging, and Statham's enduring charisma.An inside mole, gangland wars, revenge most cold, and a half-baked enforcement operation combine for a thick plot featuring four separate groups competing for screen time. The armoured truck guards, Hill's core underworld colleagues, the FBI, and Jackson's crew create too many men (and just one woman) without enough screen time to properly connect them. The Scorched Earth chapter particularly suffers, violence layered upon violence while the dynamic between the Hill and Jackson factions fails to properly latch.
The crucial heist resulting in three deaths kicks-off the drama in the opening scene (filmed in one take and mostly from inside the truck), and is a worthwhile centrepiece. Ritchie returns to the event twice more from different perspectives to fill in the main character's roles. Several other action scenes inject regular doses of excitement, none better than Hill finally revealing his shooting skills and cool temperament by foiling a robbery in progress. The final climactic heist runs ragged and gets close to chaos, but with Statham in command, Wrath Of Man is in good hands.
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A stylish action thriller set mostly in Tokyo, Black Rain is dark, violent and intense.
Artistic touches also ensure that events are just muddled enough to create uncertainty, Scott using his characters' limited point of view, the language barrier or a combination of physical and light obstacles to inject a level of realistic doubt about exactly what is unfolding. It's an effective representation of the culture shock facing Nick as he tries to reclaim his lost pride.