Showing posts with label James Cromwell. Show all posts
Showing posts with label James Cromwell. Show all posts

Sunday, 21 April 2024

Movie Review: The Trials Of Cate McCall (2013)


Genre: Legal Drama  
Director: Karen Moncrieff  
Starring: Kate Beckinsale, Nick Nolte, James Cromwell  
Running Time: 89 minutes  

Synopsis: Lawyer Cate McCall (Kate Beckinsale) is on probation due to an alcoholism problem. Despite support from her Alcoholics Anonymous sponsor Bridges (Nick Nolte), she only has limited visitation rights to see her daughter. As part of her probation Cate is assigned a pro bono case to appeal the murder conviction of Lacey Stubbs (Anna Schafer), and finds enough irregularities in the initial trial proceedings to cast doubt about Lacey's guilt in the mind of Judge Sumpter (James Cromwell). But Cate's apparent moment of triumph is just a gateway for a new set of unexpected problems.

What Works Well: Writer and director Karen Moncrieff confidently wades into the tumultuous life of a bright but flawed protagonist refusing to do anything the easy way. Cate's past and present have merged into one large mess, and Lacey Stubbs' convoluted murder charges add complexity well beyond most cinematic court cases. Kate Beckinsale powers through the ups and downs of the central role with aplomb, ably supported by a grizzled Nick Nolte deploying a lifetime of questionable wisdom.

What Does Not Work As Well: For the 89 minutes of running time, too much is going on. A prior wrongful conviction case hovers over Cate's psyche but receives sketchy treatment, while the Lacey Stubbs case falls victim to plenty of telling but no showing. The final act unsurprisingly unravels, the rush to satisfying resolutions trampling all over important procedural explanations.

Conclusion: A mixed verdict due to ambitious but excessive plotting.



All Ace Black Movie Blog reviews are here.

Thursday, 17 March 2022

Movie Review: The General's Daughter (1999)

A murder mystery and thriller set in a military milieu, The General's Daughter offers slick production values but suffers from over-convoluted plotting.

On an army base in Georgia, Chief Warrant Officer Paul Brenner (John Travolta) of the Army's Criminal Investigation Division wraps up a sting operation. His next case is the murder of Captain Elisabeth Campbell (Leslie Stefanson), found naked and tied-up on the ground at an urban combat training facility. Elisabeth was an instructor in psychological operations, and also the daughter of celebrated General Joe Campbell (James Cromwell), who is about to retire and enter politics.

Assisting Brenner is his former romantic partner, rape investigator and Chief Warrant Officer Sarah Sunhill (Madeleine Stowe). They initially focus on Elisabeth's shifty commander Colonel Bob Moore (James Woods) as a prime suspect. But soon the investigation becomes more complex, and secrets are revealed about Elisabeth's kinky sex life and her turbulent time at the West Point training academy.

A sordid sex-and-violence crime mystery complicated by honour-bound military traditions, The General's Daughter is polished but overstuffed. The Nelson DeMille novel is transferred to the screen with handsome visuals by cinematographer Peter Menzies Jr., and director Simon West maintains a brisk pace and decorates with military hardware. But the investigative elements are overburdened by motivations straining credibility before devolving into a frantic whodunnit guessing game.

Christopher Bertolini and William Goldman collaborated on the script, and after a bright start they settle down to spraying suspicion on every character in turn, Agatha Christie style. Everyone has a motive and a secret to hide, and Brenner tosses accusations with limited evidence. The truth, once revealed, is bizarre enough to draw groans rather than admiration. The plot tends to wave at moral issues without properly engaging, just as it leaves murder investigation threads dangling. 

But the cross-cutting personal agendas maintain positive energy levels, and The General's Daughter is an effective conversation starter, posing difficult questions about toxicity and inertia within established institutions. At the heart of the drama are serious topics of rape, psychological damage, women in the military, personal sacrifice weighed against reputational damage, political ambitions, and a damaged father-daughter relationship. 

John Travolta is a robust presence at the heart of the action, and Madeleine Stowe is steady but could have benefited from more involvement. Best of all is James Woods, who injects an unsettling beady intensity into his few scenes. To maximize the number of suspects, the cast also finds space for Timothy Hutton, Clarence Williams III, Mark Boone Jr., and two redneck police officers named Yardley.

Eager and capable, The General's Daughter also favours excess over control.



All Ace Black Movie Blog reviews are here.

Thursday, 5 December 2019

Movie Review: Babe (1995)


A humourous animal drama oriented to children, Babe contains some simple life lessons in an attractive and easily accessible package featuring cute talking farm critters.

Sheep farmer Arthur Hoggett (James Cromwell) wins the young orphaned pig Babe (voice of Christine Cavanaugh) by guessing its weight at the state fair. The pig arrives at Hogget's farm and befriends the sheepdog Fly (Miriam Margolyes), although fellow sheepdog Rex (Hugo Weaving) is less hospitable. Babe also tangles with the troublesome duck Ferdinand (Danny Mann) and entitled house cat Duchess (Russi Taylor).

Babe settles in to life at the farm and gradually displays an aptitude for sheepdog duties, adopting a gentler approach to guiding the flock and establishing a connection with elderly sheep Maa (Miriam Flynn). But with Rex growing more resentful, wild dogs attacking the sheep and Hoggett starting to think of entering Babe into a sheepdog competition, plenty of challenges lie ahead for the little pig.

A gentle story of belonging, Babe is a modern day fairytale. Co-produced by George Miller and directed by Chris Noonan, the Australian production cleverly deploys special effects to add speech and choreographed movements to the world of cute animals. The often adorable farm creatures only talk to each other, leaving the oblivious humans in their own sheltered domain.

So we learn dogs think sheep are inherently stupid, the sheep think all dogs are dangerous wolves, the duck knows it's at greatest risk of becoming dinner and therefore takes on rooster duties to try and serve some useful function. Meanwhile, the house cat is well, just luxuriating in entitlement. The cows and horses here are reduced to background extras contributing some wisecracks, while the annoying mice animate the chapter introduction title cards.

Through it all the innocent but curious and brave young Babe is the orphan who has to carve an identity and a purpose in foreign surroundings. He gets help from the sympathetic Fly, who believes Babe can learn to fit in on the farm, and encourages his ventures into sheepdog duties. Rex is much more hostile and insistent a pig should not be trusted with a dog's duties.

Meanwhile Hoggett is the one main human character, a resourceful farmer of few words who spots opportunity where others only see turmoil. Hoggett establishes an early connection of trust and belief in Babe and can see beyond superficialities to focus on abilities, even risking humiliation to draw out the pig's potential.

Frequent touches of humour and brief scenes of danger maintain the required balance for younger audiences. Babe is tender, innocent and approachable, breathing from the genuine air of farm-inspired learnings.






All Ace Black Blog Movie Reviews are here.


Saturday, 4 June 2016

Movie Review: L.A. Confidential (1997)


A film noir masterpiece set in Los Angeles of the early 1950s, L.A. Confidential features a convoluted, multi-layered and character-rich story of crime, corruption and conspiracy.

The arrest and imprisonment of crime boss Mickey Cohen creates a vacuum at the top of the Los Angeles underworld. The police department tries to project a clean cut image through the sanitized television show Badge of Honor, but the reality is that the force, under the command of Captain Dudley Smith (James Cromwell), is rife with corruption.

Three officers go about their careers with very different attitudes. Jack Vincennes (Kevin Spacey) loves the glamorous life and colludes with scum journalist Sid Hudgens (Danny DeVito), who publishes the Hush- Hush tabloid, to stage high profile narcotics arrests. Ambitious Ed Exley (Guy Pearce) has a strong moral compass inherited from his father, a deceased cop, and wants to be promoted to Detective Lieutenant as quickly as possible. Bud White (Russell Crowe) is a hot head, quick to settle disputes with physical violence, but he also may be smarter than he looks. When a jail cell brawl gives the police department a black eye, Exley earns the wrath of his colleagues, and a promotion, by naming names.

Despite Cohen's arrest the department struggles to put a lid on increasing levels of street violence. Cohen's former associates are methodically gunned down, then a bloody multiple murder is committed at the Nite Owl coffee shop, with ex-cop and White's former partner Dick Stensland among the victims, as well as porn starlet Susan Lefferts (Amber Smith). A trio of Negroes is suspected of committing the Nite Owl murders and Exley becomes a hero for bringing them conclusively to justice.

But White pursues the Lefferts angle and uncovers a high-class pornography, prostitution and blackmail ring operated by businessman Pierce Patchett (David Strathairn), who forces his girls to undergo plastic surgery to resemble famous movie stars. White starts a steamy relationship with Lynn Bracken (Kim Basinger), the Patchett girl made to look like Veronica Lake. Exley starts to have doubts about the perpetrators behind the Nite Owl case, White starts to feel used by Smith, and Vincennes finally gets disgusted with his own attitude when a gay sting operation goes wrong. The three men still don't like each other but have to start cooperating to uncover what is really going on in the L.A. crime world.

Directed by Curtis Hanson, who co-wrote the the Academy Award winning script with Brian Helgeland, L.A. Confidential oozes style, substance and attitude. The adaptation of the James Ellroy book remains coherent despite the various narrative threads, multiplicity of characters, and various personal and hidden agendas. Curtis and Helgeland expertly weave together a hard-hitting story of uncompromising violence and sex that celebrates unique characters, avoids buddy movie trappings, and maximizes the value out of strong and opposing personalities forced to co-exist.

In focusing almost equally on three protagonist, none of them too likable, L.A. Confidential sets itself apart from most other crime films. Vincennes, Exley and White have quite a few more flaws than redeeming features, and it is fascinating to watch these men evolve, grapple with their own personalities and then overcome their mutual resentment just enough to cooperate, without ever giving up on who they are. Russell Crowe and Guy Pearce were relative unknowns but quickly establish a strong screen presence. Spacey is the perfect fit for the role of Vincennes, the cop possessing a perfect understanding of what Los Angeles is all about: show business and personal promotion first, everything else for sale.

Further adding to the potent mix of masculinity are Dudley Smith as the uncompromising police captain and Pierce Patchett as the shadowy businessman with a side business. Smith and Patchett are power brokers in a city intoxicated by power and sex, and they have long since learned that bending the rules under the veneer of respectability is the way to get things done.

Even minor characters prove to be important. Sleazy narrator Sid Hudgens stages and reports on arrests in equal measure, less interested in the news and much more interested in serving up scandalous headlines and photos. Former police officer Buzz Meeks and the disgraced Dick Stensland leave the force but don't leave the criminal world too far. Tough, big but dim, they both find themselves over their heads as the crime wave intensifies.

Not exactly a femme fatale but more of a willing victim with the irresistible weapon of seductiveness, Lynn Bracken is the one woman in a plot dominated by aggressive men. Kim Basinger is surprisingly effective combining unconstrained sexuality with vulnerability and was rewarded with the Best Supporting Actress Academy Award.

While it is a challenge to keep track of the many characters and plot complexities, the payoff is immense. As the threads come together, the film soars to heights of proficiency, the bodies are uncovered, the conspiracies revealed, the criminals and crime fighters emerge from the shadows and collide in an exhilarating climax.

The cinematography by Dante Spinotti captures a Los Angeles still growing into itself, baking under the sun, selling an image manufactured by the Hollywood dream factory but also consumed by corruption at every level. An evocative, jazz-infused Jerry Goldsmith score perfectly complements the ambiance.

Under the harsh sunshine and in the West Coast heat, L.A. Confidential is dark, moody, and magically compelling.






All Ace Black Blog Movie Reviews are here.