Showing posts with label Timothy Bottoms. Show all posts
Showing posts with label Timothy Bottoms. Show all posts

Sunday, 17 September 2023

Movie Review: Operation Daybreak (1975)


Genre: World War Two Drama Thriller
Director: Lewis Gilbert
Starring: Timothy Bottoms, Martin Shaw, Anthony Andrews, Nicola Pagett
Running Time: 118 minutes

Synopsis: In 1941, British-trained Czech partisans Jan (Timothy Bottoms), Jozef (Anthony Andrews), and Karel (Martin Shaw) are selected for a mission to assassinate the ruthless Reich Protector in occupied Prague, Reinhard Heydrich (Anton Diffring). After parachuting into the countryside the trio connect with underground agents, and Jan starts a romance with resistance member Anna (Nicola Pagett). Jan and Jozef struggle to find a suitable opportunity to target the well-guarded Heydrich, and in desperation decide to attempt a high-risk close-range shooting.

What Works Well: Based on the actual events of Operation Anthropoid, this is a grimly effective war drama capturing the realities of asymmetrical conflict. With Prague trampled by Nazi soldiers, the partisans are beset by suspicion and paranoid about infiltrators, yet still intent on carrying out an audacious mission. The absence of star names enhances the emphasis on storytelling, and director Lewis Gilbert's pacing is careful and deliberate, making full use of the thick greys and browns of a suffocating occupation. The second-half builds fearsome momentum as the aftermath of the assassination attempt echoes with brutal vengeance, unyielding heroism, and finally unforgettable poignancy.

What Does Not Work As Well: The additional paratroopers sent to support the mission are confined to the deep background, and the romantic sub-plot carries all the clunkiness of an unnecessary add-on.

Conclusion: A classic merger of daring and authenticity.



All Ace Black Movie Blog reviews are here.

Monday, 3 September 2018

Movie Review: The Paper Chase (1973)


A classroom drama, The Paper Chase creates an intriguing premise within a haughty academic milieu, but fails to properly develop its own thesis.

At Harvard University, Hart (Timothy Bottoms ) is a first year law student. In the Contracts Law class of the legendary Professor Kingsfield (John Houseman), he quickly realizes how tough the year will be. Kingsfield uses the Socratic method to probe his students' knowledge, and the underprepared are immediately exposed. Hart joins a study group pulled together by Ford (Graham Beckel), and including the pompous Bell (Craig Richard Nelson) and the uncertain Brooks (James Naughton), who possesses a photographic memory but weak analytical skills.

Hart works hard and starts to impress in Kingsfield's class. He also meets and starts a relationship with the carefree Susan (Lindsay Wagner), although he is warned that a distracting romance is the worst thing for any first year law student. With several of the class members struggling to keep up, Hart uncovers Susan's secret, further complicating his progress.

Directed and written by James Bridges as an adaptation of the novel by John Jay Osborn Jr., The Paper Chase enjoys an engaging opening third. Bridges creates rich Ivy League campus surroundings where bright minds come to prosper, and even the most intelligent students from around the country will be challenged. The Kingsfield classroom scenes are stirring, and convey the sense of dread mixed with excitement as a fabled professor, an institution himself, sinks his teeth into a new group of recruits.

When the film moves away from the learning sessions and into the parallel on-campus lives of the students, The Paper Chase loses momentum. Hart himself is a bit of an empty vessel, and the study circle group members are sketched in with the broadest of strokes. The romance side-plot between Hart and Susan develops too quickly, as they are in bed and proclaimed as a couple before any sparks are lit, creating no emotional buffer to fall back upon when Susan reveals her secrets.

The movie crackles back to life whenever Kingsfield comes back to the screen. The contemptuous professor gradually turns the boys into men, training their minds in readiness for a career full of nimble arguing. In the process he earns their respect, and transforms from a symbol of fear to a respected mentor. John Houseman earned the Best Supporting Actor Academy Award for a domineering performance.

Like many first year students, The Paper Chase toils towards the end of the academic year. Subsidiary plot points about Kingsfield's old student notes, Brooks' struggles to keep up, and Hart accepting a side-assignment half-heartedly float in and out as isolated chapters and mostly get in the way. The film shines in the company of the Professor, but slacks off between classes.






All Ace Black Blog Movie Reviews are here.


Saturday, 9 June 2012

Movie Review: The Last Picture Show (1971)


The lives and loves of the residents of a small Texas town in the early 1950s, The Last Picture Show is monumentally winsome. Peter Bogdanovich creates a memorable set of complex characters who take a life of their own, and live on in movie folklore despite the irreversible fading away of their town.

High school seniors and friends Sonny Crawford (Timothy Bottoms) and Duane Jackson (Jeff Bridges) are facing an uncertain future. Sonny is sensitive and caring, and always looks after the mute Billy the street sweeper (Sam Bottoms). Duane is brash and confident, and more aggressively seeks a path to a better life. Their town of Anarene is dusty, windy, and exists solely to support nearby oil fields. The town's unofficial leader is Sam "the Lion" (Ben Johnson), who attempts to be a positive influence on the lives of the local teenagers and owns the movie theatre, pool hall, and cafe, where waitress Genevieve (Eileen Brennan) works.

Sonny does not much care for his girlfriend, and is soon having an affair with the much older Ruth Popper (Cloris Leachman), with the semi-tacit approval of her husband, the High School athletics coach. Duane very much likes his girlfriend, town beauty Jacy Farrow (Cybil Shepherd). But Jacy's mother Lois (Ellen Burstyn) thinks that Duane is not worthy of her daughter. Lois herself is not satisfied with her husband and seeks the affection of oilman Abilene (Clu Gulager).

Jacy uses Duane to lose her virginity and dumps him, turning her attention to older men and richer boys, including the oleaginous Lester (Randy Quaid). A shock awaits Sonny and Duane when they return from an impromptu trip to Mexico, and their lives are set on a nasty collision path involving Jacy. The teenagers need to become men in a hurry, as the destiny of the movie theatre and Anarene itself look ever more bleak.

Bogdanovich co-wrote the screenplay with Marty McMurtry, the author of the semi-autobiographical book, and filmed The Last Picture Show in brilliant black and white. The stark contrasts enhance the film's overall mood of an era of innocence ending, and a town crawling to a dusty death. Bogdanovich cajoles mature performances from a relatively inexperienced cast, Bottoms, Bridges and Shepherd creating characters desperately seeking better futures while struggling through a mundane present.

Timothy Bottoms gives Sonny a somewhat resigned persona as someone who makes the most out of opportunities that come to him rather than creating his own path in life. Sonny's relationship with Ruth is arranged by the coach; he unexpectedly inherits a business; and his relationship with Jacy is very much instigated at her initiative. Meanwhile Bridges portrays Duane as a scrapper who will have to fight for everything in life, and who will therefore lose most of what he values and hurt those who care for him.

Cybill Shepherd effortlessly provides Jacy with a dangerous innocence that becomes increasingly formidable the more she listens to her mother. Openly using sex as a siren to lure men, Jacy's means of escaping the drudgery of life in Anarene is to test drive lovers, with her mother's encouragement, until she finds the one who offers the best chance of easier riches. Jacy and Lois are a daunting mother / daughter couple and make for compelling viewing while representing a harsh indictment of some women's mores in small town Texas.

The countryside is wide open, the roads narrow and bumpy, the cars and trucks are battered, the paint on the walls is peeling, the old men are weathered, and the adults wear an expression of being in a constant battle for economic survival. And the ever present howling wind blows incessantly through Anarene, almost insisting that the town be blown off the map.

Only Billy the street sweeper appears to have the optimism to fight on for the future of the town, tirelessly sweeping the streets, until he too is forced to give up. The Last Picture Show is never more poignant than when the last cheerful light is turned off.






All Ace Black Blog Movie Reviews are here.