Showing posts with label Lorraine Bracco. Show all posts
Showing posts with label Lorraine Bracco. Show all posts

Monday, 2 June 2025

Movie Review: Nonnas (2025)


Genre: Dramedy  
Director: Stephen Chbosky  
Starring: Vince Vaughn, Linda Cardellini, Susan Sarandon, Brenda Vaccaro, Talia Shire, Lorraine Bracco  
Running Time: 114 minutes  

Synopsis: Raised in a food-loving Brooklyn-based Italian family, transit worker Joe (Vince Vaughn) decides to honor his deceased mother by opening a restaurant and having the food prepared by actual Italian grandmothers, or nonnas. Joe's buddy Bruno (Joe Manganiello) helps with renovations, and Joe recruits his mother's best friend Roberta (Lorraine Bracco), hairdresser Gia (Susan Sarandon), former nun Teresa (Talia Shire), and Antonella (Brenda Vaccaro) to run the kitchen. He also reconnects with Antonella's neighbour Olivia (Linda Cardellini), who was his high school prom night date. Despite good intentions, transitioning from an idea to a successful business will not be easy.

What Works Well: Based on actual events, this is a heartwarming dream-turns-real story. Nostalgia, love of family, homeland traditions, and some spiky humour (the nonnas don't all necessarily always like each other) underpin Joe's unlikely aspirations to build and run a business from scratch. A glorious group of veteran actresses brings quality to the stovetops, and the script takes care to round the nonnas into real women with backstories, struggles, and disappointments worth sharing.

What Does Not Work As Well: This is an ultimately small-scale story that marches to familiar against-the-odds beats, with a foregone conclusion. The attempts to wring admittedly humorous tension out of Bologna versus Sicily hostilities and Joe's clashes with Bruno are never more than obvious narrative speed bumps.

Key Quote:
Teresa: We are strong women with Italian blood in us.



All Ace Black Movie Blog reviews are here.

Tuesday, 31 May 2022

Movie Review: Medicine Man (1992)

An unconvincing and clunky romance set in the Amazon jungle, Medicine Man plays the most predictable drum beats.

Biochemist Dr. Rae Crane (Lorraine Bracco) journeys deep into the Amazon jungle to check on the progress of eccentric researcher Dr. Robert Campbell (Sean Connery). After the death of his wife, Campbell had pushed his rudimentary research lab into near-inaccessible territory and all but broke off contact with the outside world.

Rae and Robert immediately clash. He does not welcome her intrusion, nor her threats that his funding may be cut off. But he gradually shares his research progress, including the stunning news he may have found a cancer cure using a rare native flower that only grows high up in the Amazon canopy. Rae and Robert start to help each other, including searching for a native healer who may hold the secret to replicating the flower's medicinal properties.

Several structural weaknesses undermine the appeal of Medicine Man. Dangling a possible cure for cancer as a plot point but then consigning it as background to a bland love story is an epic misplacement of priorities. The quarter century age difference between Connery and Bracco makes for a quite awkward attempted romance, and the by-the-Hollywood-numbers evolution of their relationship from resentment to attraction is simply boring. Other than generic members of a native tribe, the film is devoid of any interesting secondary characters, leaving Connery and Bracco to carry the full load.

The unfortunate casting of Lorraine Bracco as Dr. Crane dooms any attempts at serious drama or medicine. Not helped by the script (by Tom Schulman and Sally Robinson) nor by director John McTiernan, Bracco never gets a handle on her character, caught between lost-in-the-jungle damsel in distress helplessness, a broad-as-can-be Bronx accent, and a supposedly stellar academic resume. She is never anything other than a vexatious plot contrivance.

The few positives include a crusty Connery performance in his full-of-confidence pony-tailed element, and stunning Amazonian jungle cinematography courtesy of Donald McAlpine. The scenic beauty is often used as a crutch, McTiernan finding reasons for Crane and Campbell to swing high up between the trees as cover for not much going on at ground level. A late-in-the-day confrontation with a road-building crew underlines the lack of coherent ideas.

Medicine Man tantalizes with the potential for a healing breakthrough, but cannot save itself.



All Ace Black Movie Blog reviews are here.

Thursday, 10 February 2011

Movie Review: GoodFellas (1990)


Based on the true story of New York mafia gangster Henry Hill, GoodFellas is a sprawling, entertaining epic that covers three decades in the lives of colourful criminals.  While GoodFellas lacks the gravitas of The Godfather, it makes up for it with irresistible personality.

It's 1955, and teenager Henry Hill (Ray Liotta) is growing up in Brooklyn, living in an apartment across the street from a taxi office that in reality is a front for mob boss Paulie (Paul Sorvino). Henry is excited by the prestige and wealth of the mobsters, and over the years he graduates from doing odd-jobs for Paulie's crew to participating in crimes, and grows into the role of a wise guy in Paulie's inner circle. Other criminals with emerging reputations rotating around Paulie include Jimmy Conway (Robert De Niro) and Tommy DeVito (Joe Pesci). Jimmy is smooth, calm, and viscous when needed. Tommy is loud, unhinged and volatile, capable of switching from funny to deadly in an instant.

Henry ultimately proves his value by helping to plan and flawlessly execute the theft of a large amount of money from an Air France office. He moves into the big time of flashy cars and slick clothes, gets married to Karen (Lorraine Bracco), and is quickly cheating on her with barely discreet mistresses.

While the life of crime seems to have few downsides, trouble is lurking. Tommy's temper is out of control, and in 1970 he kills a made man, usually considered untouchable, from the Gambino family. And when a shakedown in Florida goes wrong, Henry is sent to jail. Upon his release and with his lifestyle threatened, he becomes a full-fledged drug dealer, despite Paulie's warning not to. With drug money rolling in and now himself an addict, Henry is quickly back to the big time.

In 1978 Jimmy, Tommy, Henry and many other men from Paulie's crew pull-off a multi-million dollar robbery of a Lufthansa office, but the enormous amounts of money cause stress between the men, and they turn on each other. Jimmy starts a clean-up operation, eliminating most of the participants in the Lufthansa heist. Tommy is killed in a hit arranged by the Gambinos. And in 1980 anti-narcotics agents finally catch up with Henry's drug operations, forcing him to make a choice between certain death and full disclosure.

While The Godfather series focused on the upper echelons of mobster families, GoodFellas takes us to the street level, and to the lives of the wannabe men who do the dirty work while wearing expensive clothes. It's an engrossing movie, filled with rich characters, memorable scenes, comedy, drama and violence in perfect balance.

Despite being based on real people, the three main characters in GoodFellas are all larger than life. Relatively unknown at the time of filming, Ray Liotta captures the centre of the film with an affecting performance as Henry Hill, on a remarkable journey from wide-eyed hanger-on to a wild-eyed, drug-addicted desperate mobster. Robert De Niro is surprisingly and effectively controlled as the scheming Jimmy, who emerges as the most calculating member of Paulie's gang. And Joe Pesci gives a most memorably stunning performance as Tommy, a hypnotic package of dynamite that may explode at anyone, anytime and for any reason. It's impossible to ignore Pesci when he's on the screen, as in every scene he's either already in the centre of the action or about to make sure that he creates a maelstrom around him.

Scorsese directs with an emphasis on continuous kinetic energy, and his use of freeze-frames is terrific, but unfortunately limited to the earlier scenes. His screenplay, co-written with Nicolas Pileggi and based on Pileggi's book, keeps the action humming for 146 minutes of running time, while squeezing in as many F-bombs as possible.

Despite lives drenched in crime, GoodFellas succeeds in presenting Henry, Jimmy and Tommy as characters who would be thoroughly entertaining to invite for dinner. Whether anyone lives to finish the meal would be entirely up to Tommy.






All Ace Black Blog Movie Reviews are here.