The Ace Black Movie Blog

Showing posts with label Dean Jagger. Show all posts

Wednesday, 11 August 2021

Movie Review: Pursued (1947)

A western drama with strong noir elements, Pursued features a feud, troubled love, revenge, and the search for a sense of belonging.

In New Mexico around 1900, lovers Jeb Rand (Robert Mitchum) and Thor Callum (Teresa Wright) reunite in the ruins of his childhood home. In flashback, he recounts their story.

Jeb was adopted as a child by Thor's mother Mrs. Callum (Judith Anderson), after his father was killed by Grant Callum (Dean Jagger) to resolve a family feud. The brother of Thor's deceased father, Grant would have preferred to also kill young Jeb but agrees to wait until the boy matures.

Growing up, Jeb and Thor are close, then as adults they start a romance and are eager to get married. However, Jeb's relationship with Thor's brother Adam (John Rodney) is never less than fractious. Jeb then loses a coin toss and joins the army, and upon his return Adam is even more hostile. Grant reappears and starts agitating others to kill Jeb. Forced to defend himself, Jeb risks losing Thor's love.

Directed by Raoul Walsh, Pursued is a character-driven drama and romance that happens to be set in a western milieu. The script by Niven Busch explores a dark fate hovering over Jeb through no fault of his own. Beset by nightmares since the traumatic night his father was killed, hunted by Grant since he was a child, and always resented by Adam, Jeb suffers even more as Mrs. Callum and Thor turn against him at critical junctures. If ever a man had enough reasons to turn into a prototypical western bad guy, Jeb checks off the entire list.

But from the opening context-setting scene, Busch is also interested in the luminous power of a true love. Jeb and Thor share a resilient connection which might just be strong enough to save them both, and although events severely test their relationship, often pushing them apart and nudging love towards animosity, they both always have something to reach back for.

The noir elements include the flashback structure, effective narration, Thor exploring her fatale side, plenty of scenes set at night, and nice touches including a cold courtship and a coin that always lands on the wrong side.

The visual style is economical, and does not attempt to conceal some of the weaker narrative moments. Thor's emotional transformations are jarring, driven more by the whims of the script than true exposition. Grant's malevolence, wayward targeting, and penchant for contracting out his dirty work would have benefited from more depth, and the ending is abrupt.

But Pursued succeeds in tracing an eloquent arc of discovery, Jeb's journey finding a resolution where it started. He is less innocent and more resigned, but now has love by his side.

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Saturday, 24 September 2016

Movie Review: The Proud Rebel (1958)

An appealing post-Civil War western, The Proud Rebel is a family-friendly story of a father from the south finding both lingering resentment and the welcome of strangers as he tries to help his son.

Immediately after the Civil War, southerner John Chandler (Alan Ladd) is travelling north from town to town, looking for a doctor who can help his mute son David (Alan's real-life son David Ladd) talk again. The clever sheepdog Lance is David's close companion. In Aberdeen, Illinois, Dr. Enos Davis (Cecil Kellaway) suggests that a Minnesota-based expert may be able to help. Before John can set out again he tangles with rowdy sheep ranchers Jeb and Tom Burleigh (Harry Dean Stanton and Tom Pittman) and their father Harry (Dean Jagger) after they try to steal Lance. John is found guilty of instigating a brawl, but farm owner Linnett Moore (Olivia de Havilland) saves him from prison by paying his fine in return for John working her land.

John and Linnet establish a good rapport and David enjoys the stability of life on the farm. But the Burleighs are a constant menacing presence, seeking to drive Linnet off her land to expand their herding territory. Meanwhile, John is desperate to raise the money needed for the Minnesota trip, and an opportunity arises when a local dog breeder offers a lot of money to buy Lance.

A resizing of Shane to appeal to a younger audience, The Proud Rebel hits all the amiable notes. Directed by Michael Curtiz and well-served by a deep cast, the film carries enough edge to avoid sentimentality and despite a rather clumsy ending maintains focus on a shifting western landscape where the wounds of war are slowly healing. Often beautiful colour cinematography, making exquisite use of red skies and silhouettes, adds to the film's quality.

The character of John Chandler as a steadfast yet proud man dedicated to his son and seeking to avoid conflict allows all colours of society to swirl around him. Dr. Enos and Linnett represent the more mature residents of the north eager to help close the war chapter. The crude Burleighs are at the opposite end of the scale, condescending towards Chandler just as they are keen to chase Linnett off her farm. And Judge Morley (Henry Hull) who hurriedly convicts Chandler for his part in the brawl is somewhere in between: he offers at least a modicum of due process for a rebel from the South, and allows Linnett's generosity to trump the court's half-baked version of justice.

Alan Ladd delivers a stoic performance as John Chandler, a man who lives a principled life where resolute actions speak much louder than words. Olivia de Havilland slips easily into the role of the farm owner stubbornly holding onto her land and staring down the Burleighs, de Havilland displaying plenty of breadth to combine determination with lurking passion for a family. Dean Jagger and Harry Dean Stanton contribute suitably despicable villains, and Cecil Kellaway adds colour to the role of a Quaker doctor.

The triangle of emotions between John, Linnett and David resides at the heart of the film, and allows a warm glow to seep through the drama. John is still grieving the death of his wife and until he finds a cure for his son there is no place in his heart for any other quest, as much as Linnett is emotionally available. And young David is dedicated to his father and but also quick to accept Linnett as a mother figure, creating a conflict for John since moving on will mean tearing his son away from an essential new bond. The resourceful dog Lance is the glue holding David's life together, and John faces his biggest test when the sale of the dog offers a possible route to heal David.

On his search for a cure, The Proud Rebel will find conflict and resolution in unexpected forms, for both father and son.