A British-made revenge Western with a mashing of Spaghetti sub-genre elements, Hannie Caulder attempts to capitalize on Raquel Welch's comely assets but is betrayed by an uneven tone and underdeveloped ideas.
The project was conceived as a star vehicle for Ms. Welch, and co-funded by her Curtwel production company. Directed by Western veteran Burt Kennedy and filmed in Spain, Hannie Caulder boasts a decent cast and a traditional if tired premise. But the film collapses from neglect, due mainly to what appears to be a hurriedly written script by Kennedy under the pseudonym Z.X. Jones.
The tone is fundamentally unbalanced, leaving the film spinning between coarse humour, grim revenge, and attempts at gory violence. The Clemens gang resemble the Three Stooges on a bad day, the ruffians trading insults that are meant to be funny. The bad humour sits uneasily next to the rape and murder that they nonchalantly dole out, and the large gobs of bright red blood that sprays out of every victim of a gun shot.
Welch does as best as can be expected. Her extremely limited range is kept under the wraps of a character who does not need to say much. Towards the end of the film she starts trading snappy one-liners, and does so with a dull trace of conviction. Meanwhile, her figure is coyly hinted at through some clever fashion choices, including a poncho with not much underneath for much of the film.
The surprisingly strong supporting cast rides along for the pay cheque. Borgnine, Elam and Martin are noisy, dirty, and annoying. Lee is unsure what he is doing in the film; Hannie Caulder must be the only Western movie where characters cross borders and wait for weeks to obtain a pistol. Only Robert Culp as bounty hunter Thomas Luther Price is able to add any weight to the proceedings. On the plus side, the cinematography is decent.
Hannie Caulder is a third-rate Western for what was then a third-rate actress with first-rate looks.
