Showing posts with label Peter Coyote. Show all posts
Showing posts with label Peter Coyote. Show all posts

Saturday, 16 May 2026

Movie Review: Southern Comfort (1981)


Genre: Survival Thriller  
Director: Walter Hill  
Starring: Keith Carradine, Powers Boothe, Fred Ward, Peter Coyote, T.K. Carter, Brion James  
Running Time: 105 minutes  

Synopsis: It's 1973 in rural Louisiana, and National Guard soldiers led by Staff Sergeant Poole (Peter Coyote) convene for a training exercise in the swamplands. The minimally competent men are armed with blank bullets, and include newcomer Hardin (Power Boothe), the easygoing Spencer (Keith Carradine), and the intense Reece (Fred Ward). Early in their training mission, the guardsmen antagonize Cajun hunters who live in the dense woods, triggering violence. The inexperienced Casper (Les Lannom) is forced to take command, while Hardin and Spencer realize they are being ruthlessly hunted deep in hostile territory.

What Works Well: This powerful metaphor for the Vietnam War drops poorly trained and ill-equipped soldiers into a fog-shrouded forest, and allows the conflict between hubris and locals to unfold with relentless intensity. Director Walter Hill packs plenty of individual personality into the men, while majestic Andrew Laszlo cinematography and Ry Cooder's music score create disorientation in outdoor terrain. The limited visibility, absence of landmarks, and swampy waters spill off the screen, and once the mission unravels, discipline disintegrates and the guardsmen fracture into individuals. Powers Boothe as Hardin and Keith Carradine as Spencer stand out by adhering to personal codes rather than any loyalty to the unit.

What Does Not Work As Well: Once the premise is set, the whittling away of the group proceeds on a linear path, and the you-don't-belong-here anti-war message is none too subtle.

Key Quote:
Sergeant Poole (puzzled by an unexpected body of water): Either this map is wrong, or all of a sudden I can't find my way around the block.



All Ace Black Movie Blog reviews are here.

Thursday, 28 December 2017

Movie Review: E.T. The Extra-Terrestrial (1982)


A science fiction fantasy drama with humour and soul, E.T. The Extra-Terrestrial is the heartwarming story of pure friendship between a lonely boy and a marooned alien.

In a California suburb, a spacecraft carrying inquisitive and gentle extra-terrestrials arrives in a forested area for some floral exploration. But with humans closing in the aliens take off in a hurry, inadvertently leaving one member of the expedition behind. The stranded and scared visitor eventually makes contact with ten year old Elliott (Henry Thomas), a lonely boy who lives in a nearby suburb with his mom Mary (Dee Wallace), older brother Michael (Robert MacNaughton) and young sister Gertie (Drew Barrymore). Elliott is struggling to come to terms with his parents' divorce, and his father is absent and in Mexico with a new girlfriend.

Elliott is the only member of the family to notice unusual activity in the shed. At first startled, he patiently guides the extra-terrestrial into his room to care for it, then introduces the alien to Michael and Gertie. Elliott and the extra-terrestrial form a symbiotic bond where they share feelings and physical experiences, while. E.T. demonstrates extraordinary abilities to manipulate items, learn and communicate. With the adult world moving in and the health of both Elliott and the alien starting to deteriorate, E.T. has to find a way to call home and summon a rescue party with the help of Elliott, his siblings and their friends.

Directed by Steven Spielberg and written by Melissa Mathison, E.T. is a family-friendly classic about love prevailing despite all barriers. Unfolding from a child's height and perspective, and with no adults in any role of consequence, this is a story of a lonely boy finding elusive friendship with a most unlikely companion. Spielberg created a creature with looks that can only be admired by its own mother, and turned the expressive alien into one of the most loved and best known characters in movie history.

In 1977's Close Encounters Of The Third Kind Spielberg explored the mysterious forces that attract ordinary humans to extraterrestrials despite seemingly impossible distances and communication challenges. Close Encounters ended with the arrival of the aliens; E.T. starts with a much more modest landing, and but continues to explore the inherent kinship among beings.

Several themes course through the film. Fundamentally E.T. is about the ties that bind all living things, with children more open to perceiving the purity of love's natural power. An almost instantaneous and effortless sensory bond is forged between Elliott and E.T., and just as the alien has a life-boosting connection with nature, Elliott is compelled to free the frogs in his school science class. And with belief and togetherness all things are possible, as E.T. helps Elliott literally soar over his troubles.

Another forceful theme is the hesitancy of adults to believe in the unusual, and indeed their inability to see the obvious if it does not fit into preconceived notions. When young Gertie tries to introduce E.T. to her mom, Mary adult cannot pause long enough to notice the alien right in her kitchen. And late in the film when government-types in moonsuits (including Peter Coyote as the barely defined "keys" man) move in, they are next to useless in salvaging the situation, and just add to the the trauma of Elliott and E.T.

Spielberg weaves the concepts together in a package filled with wonder, curiosity, hope, humour, intelligence and plenty of tears activated by both sadness and triumph. He also creates images and catchphrases that are among the most well known and best loved, including the unforgettable flying bicycle across the gigantic moon and the heart wrenching quest of E.T. phone home.

The Extra-Terrestrial thrives in its home environment, but this friendship with earthlings will live in hearts and minds forever.






All Ace Black Blog Movie Reviews are here.