Showing posts with label Gary Sinise. Show all posts
Showing posts with label Gary Sinise. Show all posts

Tuesday, 13 January 2026

Movie Review: The Forgotten (2004)


Genre: Science Fiction Psychological Thriller Mystery 
Director: Joseph Ruben  
Starring: Julianne Moore, Dominic West, Gary Sinise, Anthony Edwards, Alfre Woodard  
Running Time: 94 minutes  

Synopsis: In New York City, Telly (Julianne Moore) is still grieving the loss of her 9-year-old son Sam, who died in a plane crash 14 months prior. Her husband Jim (Anthony Edwards) provides limited emotional support, and so Telly leans on her therapist Dr. Munce (Gary Sinise). When photographs and videos of Sam suddenly disappear, Telly believes that Jim is tormenting her, and Dr. Munce provides a diagnosis of delusion - Sam never existed. But then Telly connects with former professional hockey player Ash (Dominic West), who lost his daughter in the same plane crash, and together they race to find answers, chased by federal agents and monitored by supernatural forces.

What Works Well: The opening 30 minutes establish a promising premise exploring the intersection of excruciating grief and mental well-being. The cast is rich with talent, and Julianne Moore is well above this material.

What Does Not Work As Well: The middle act features a numbing sequence of repetitive chases, discarding the psychological set-up for cheap and routine action. But the wheels completely fall off in the final third. The introduction of an omnipotent alien abduction theme is awful at a dumbfounding level, both as an idea and in execution, catapulting the plot into ludicrous territory and hopelessly stranding the characters in an unsalvageable mess.

Key Quote:
Telly: Do you get drunk every night?
Ash: No. Sometimes I'm drunk by noon.



All Ace Black Movie Blog reviews are here.

Tuesday, 16 August 2016

Movie Review: Ransom (1996)


A child kidnapping thriller, Ransom enjoys excellent production values, a committed Mel Gibson performance and a determination to accentuate the cerebral aspects of crime gamesmanship.

Tom Mullen (Gibson) is a successful businessman, the head of a major airline that he created from humble beginnings. He lives in a swanky Manhattan condominium overlooking Central Park with his wife Kate (Rene Russo) and young son Sean (Brawley Nolte). However, there is a shadow hanging over Tom's business dealings involving unproven accusations of illegal payments to avoid a union strike. The Mullens' world is plunged into a nightmare when Sean is abducted during an outdoor public event. Tom and Kate soon receive a ransom demand for $2 million, and FBI Agent Lonnie Hawkins (Delroy Lindo) takes charge of the investigation.

The kidnap mastermind is New York Police Detective Jimmy Shaker (Gary Sinise), who is disgusted with Tom's seemingly shady business ethics. Jimmy's crew consists of girlfriend Maris (Lili Taylor), tech expert Miles (Evan Handler), and brothers Clark and Cubby (Liev Schreiber and Donnie Wahlberg). Sean is handcuffed to a bed and blindfolded while Jimmy makes his demands, with Tom and Kate wondering how much they can trust Lonnie's advice. When an arranged money drop goes bad, Sean's life is placed in grave danger, and Tom decides that a fundamental change in negotiating tactics is needed.

Directed by Ron Howard, Ransom is an intelligent thriller which relies on plot and characters and resists most impulses to engage in mindless action. The film remains grounded in relative foundations of reality, and the kidnapping ordeal enjoys a trio of excellent, out of the box twists. The drama is well paced, the two hours of running time efficiently used to recount a story rich in detail and resolve.

The script by Richard Price and Alexander Ignon gets the fundamentals right by investing in both sides of the kidnapping. While Tom and Kate's trauma does get the majority of attention, a significant amount of time is spent with Jimmy and his gang, humanizing the criminals and building to an effective climax where the need for complex decisions will come to the fore at the individual level.

The central twist in the negotiations, a ploy too clever to reveal, sets the film off in a new direction and radically changes the dynamic between Jimmy, Tom and Kate. It's an idea both foolish and audacious, and sets the film apart from most other kidnap thrillers. Of course all daring initiatives can suffer from the law of unintended consequences, and Ransom rides one wild notion straight into another, victim and perpetrator locking horns and engaging in a new battle of wits within an unexpected context.

Howard infuses the film with his usual commitment to quality, and Ransom enjoys lush cinematography courtesy of Piotr SobociƄsk, attractive locations and the occasional on-the-street burst of dynamism. Not unexpectedly, there are hints of big budget over orchestration in some scenes, Howard always choosing multiple helicopters and hordes of extras when more intriguing and more modest options were perhaps available.

Mel Gibson delivers a surprisingly effective performance. He tones down both his boyish charm and his manic intensity, and settles into the relatively steady tone of a concerned father who nevertheless will not subdue his entrepreneurial inclination to seek a different and better solution. Gary Sinise offers a perfect foil as the smart and determined police detective moonlighting as a criminal, although more background on what fueled Jimmy Shaker's motivation would have been welcome. The rest of the cast is brimming with talent and provides solid support.

Canny and resourceful, Ransom delivers a satisfying pay off.






All Ace Black Blog Movie Reviews are here.




Saturday, 26 March 2016

Movie Review: Forrest Gump (1994)


A comedy-drama about the American dream in the 20th century, Forrest Gump is an irresistible romp through pop culture history with one simpleton who is always in the right place at the right time.

The film is mostly told in flashback, with Forrest Gump (Tom Hanks) sitting at a bus stop recounting his story to a succession of strangers next to him. Born in rural Alabama, Forrest has a low IQ of 75, but his mother (Sally Field) does all she can to make sure he feels normal and gets a decent education. As a child Forrest is hampered by a bent spine, and his only friend is Jenny, an almost angelic schoolmate growing up in an abusive household.

While avoiding bullies, Forrest discovers that he can outrun anyone, and his speed becomes his ticket to a college education, where he becomes a star if clueless football running back. He then joins the Army and serves a tour in the Vietnam War, where he meets Lieutenant Dan Taylor (Gary Sinise) and fellow Alabaman Bubba Blue (Mykelti Williamson), a wannabe shrimp fisherman. Forrest's simple outlook on life help him to become a battlefield hero, and after the war he finds success first as a table tennis champion and then as a shrimp businessman. All the time Forrest tries to maintain contact with Jenny (Robin Wright), the one love of his life, as she joins the cultural revolution and struggles to overcome the shadow of her childhood.

An Eric Roth screenplay adaptation of a Winston Groom novel directed by Robert Zemeckis, Forrest Gump is an easy to digest lesson in the art of seizing the sometimes ridiculous opportunities of life. Forrest remains true to core principles derived from a rural upbringing and a saint of a mother, and reaps the benefits from always doing well for others. Both funny and poignant but never demanding, the film is a smooth balm of reassurance that the American dream works even for idiots, as long they carry good intentions and retain human values.

Riding a steady Tom Hanks performance that mixes naive whimsy with the positivity emanating from believing the best about every situation, the film paints with the broad brush of nostalgia from the 1960s and 1970s. Forrest somehow finds himself over a 20 year period an unlikely hero on the college football field, in the Vietnam jungle, in the thick of the Cold War, in the world of business, and helping to define the cultural zeitgeist. It does not take a genius to positively shape global events much less the lives of others, and in the process of contributing to history, Forrest becomes a regular and celebrated guest at the White House. In an early deployment of clever CGI, Hanks as Gump is seamlessly inserted into many historical film reels, interacting with the likes of Presidents Kennedy and Nixon.

Despite a longish running time of over 140 minutes, Zemeckis never lingers on any one chapter. Highlights include the childhood scenes with Forrest's mother doing everything she needs to do to get him enrolled in school, and an epic Vietnam War firefight that sets the stage for Forrest's heroics and long-term future business success and friendship with Lieutenant Dan. Late in the film Forrest simply goes for a run; a really, really long run to leave the past behind and come to terms with the thing called life.

The impossible, long-distance candle of love that Forrest holds for Jenny ties the film together. Forrest unwittingly ends up a winner at everything that he doesn't intend to do, but his singular intention to win her love proves to be the toughest challenge of his life. Robin Wright brings Jenny to soulful life with plenty of angelic pragmatism, a victim of abuse whose life was spun into the wrong orbit at an early age and never quite recovered. Forrest Gump succeeds not only as a story of a man who rises above his lowly station to achieve remarkable success; but also because it lingers on the heartache of a woman severely damaged in childhood, struggling to hang on despite the constant devotion of her one true friend.






All Ace Black Blog Movie Reviews are here.