
But while his plan seems ingenious, in practice everything unravels with unintended consequences. Chief Inspector Hubbard (John Williams) and Margot's lover Mark Halliday (Robert Cummings), a crime fiction writer, are soon trying to untangle a mess of a plot gone wrong.
Alfred Hitchcock's adaptation of Frederick Knott's nimble play is both sure-footed and clever. Hitchcock keeps the tone, pacing and settings close to their stage roots, allowing the strength of the story, sharp dialogue and a confident cast to deliver a simple yet gripping film.
Ray Milland as the has-been tennis star husband is effectively slimy and sinister as he conjures up two plots against his wife: the first he planned for years; the second he has to develop in minutes. Grace Kelly does well as the seemingly innocent wife-with-a-lover who is suddenly confronted with death twice over. And John Williams is most watchable as Chief Inspector Hubbard, who uses his wits and old-fashioned detective work to piece together a plot involving a planned yet bungled murder, an unintended victim, apparent blackmail, and infidelity.
Hitchcock delivers thrills, tension and a battle of wits in an economical 105 minutes, and deploys ever-interesting camera angles to wring suspense out of simple settings.
Evil intentions make the call, but Dial M For Murder still gets the right number.

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