Movie Review: Love And Monsters (2020)

Genre: Monster Adventure Comedy 

Director: Michael Matthews  

Starring: Dylan O'Brien, Jessica Henwick, Michael Rooker  

Running Time: 109 minutes  

Synopsis: After a military mishap, insects grow to a monstrous size and devour most humans. Seven years later, the few survivors are living in underground shelters. Joel (Dylan O'Brien) is in his early twenties, useless at combat, and contributing little to his shelter community. He re-establishes radio contact with his pre-apocalypse girlfriend Aimee (Jessica Henwick), who is living in another bunker many miles away. On a whim, Joel decides to embark on a dangerous surface journey to reunite with Aimee.

What Works Well: A sense of fun prevails in this original yet old-fashioned coming-of-age, find-yourself comedy. The brisk pacing is peppered by not-bad creature effects, but the main focus is on self-discovery and the essence of family and friendship. Dylan O'Brien gets into the vibe of a journey into adulthood, starting out as insecure and self-doubting, and gradually finding confidence and self-reliance through narrow escapes and plenty of luck. The romance elements are bittersweet enough for the intended audience, a robot adds pathos, and Michael Rooker contributes good survivor crustiness.

What Does Not Work As Well: The action, comedy, and broad messaging are all confined to safe young adult spaces and never threaten to soar or progress beyond obvious beats.

Key Quote:

Joel: I've been sensible all my life. It's gotten me nowhere.



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Movie Review: The Royal Hotel (2023)

Genre: Outback Drama  

Director: Kitty Green  

Starring: Julia Garner, Jessica Henwick, Hugo Weaving  

Running Time: 91 minutes  

Synopsis: Backpacking Canadian friends Hanna and Liv (Julia Garner and Jessica Henwick) are on a work-travel trip to Australia. After running out of money they accept bartender jobs at an isolated mining community. They have to endure a barely-civilized environment and nights full of rough, lusty, and drunken men, including the slightly refined Matt (Toby Wallace), innkeeper Billy (Hugo Weaving), the relatively quiet Teeth (James Frecheville) and the creepy Dolly (Daniel Henshall). Liv is outgoing and willing to enjoy the experience, but the more grounded Hanna is increasingly worried about their safety.

What Works Well: Director Kitty Green and star Julia Garner worked together on 2019's The Assistant, and here again contribute to an unsettling environment. The South Australia mining milieu is a time and place left behind by civilization, the men's pent-up isolation bubbling into boorishness and aggressive sexual advances during nightly drinking sprees. Garner and her co-star Jessica Henwick create a spiky friendship built on contrasting risk tolerance levels.

What Does Not Work As Well: A distinct absence of an actual plot becomes increasingly apparent after the opening act, eventually devouring the intriguing context. This is a tableau with characters but insufficient content, and sideways drift takes over. Men in coveralls sequentially gain then lose prominence, Hanna and Liv struggle in the absence of meaningful arcs, and a few plot points are just bewildering. A mysterious phone call from a previous bartender and the stern-faced cook who disapproves of everything but stops short of communicating hint at a story that never materializes.

Conclusion: Beware the featureless desert, where the promise of adventure can disappear into a mirage.



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